'who knows'
acronyms, wtf, and the joy of language
a few years ago, i worked alongside an extraordinary aussie — well-travelled, widely read, and brilliantly intelligent. one of his quirks was turning almost everything into an acronym: abbreviations formed from the first letters of a phrase, pronounced as a single word or a set of initials. i’ll admit, sometimes i struggled to follow, occasionally just nodding along.
today, i use acronyms more freely, in ways that reflect my world rather than pseudo-educational speak. i particularly love wtf — from the rude to the sublime. whether expressing shock, confusion, frustration, or humor, it has become a versatile shorthand for human reaction and emotion. (by contrast, i have an unshakable hatred of omg.)
language, abbreviation, and playful expression reveal personality, culture, and the unexpected quirks of communication — elements that resonate throughout my work.
 
answers on a postcard extends and develops ideas from the mad as a box of frogs series. the work addresses the familiar dilemma between producing originals and limited editions — a question that often invites conflicting responses. in this instance, the decision is intentionally rooted in the original.
the series reflects a longstanding interest in language, idiomatic phrases and humour, bringing these elements together through painted text. the selected phrases are chosen for their wit and lightness, inviting a moment of quiet amusement for the viewer.
each piece is hand-painted on canvas, paper or board. the works are completed using a model maker’s magnifying lamp and a fine 5/0 brush, allowing for precision and close attention to detail - oh dear, my poor eyesight!
and i hope they give the viewer a giggle too.